Critic's Corner
Horsegirl, Phonetics On and On A couple years ago I went to see Pavement at Kings Theater in Brooklyn, which was fine. The real surprise of the evening was seeing Horsegirl open for them. Bob Nastanovitch, a longtime member of Pavement and a family friend, had gotten us the tickets and said that I should like Horsegirl better than Pavement, because they had a younger, cooler sound. And I was a young and cool 13-year-old, after all. At the time, their youngest member was 17, which was still really impressive to me and to Pavement themselves. After the show, we also found out that one of their members used to babysit the friend I was with, so we got to meet them and they were totally nice and everything. I’ve been sitting on Horsegirl since that moment, because I was super shocked at how good they were. Also, they hadn’t really released anything since their first album Versions of Modern Performance in 2022. So Phonetics On and On is my perfect excuse to pull the trigger and give them …